
From Monument to Masses
The Impossible Leap in One Hundred Simple Steps
Reviewed
by James Adams
03.06.05
If LiP Magazine
had its own private army—battalions of young revolutionaries poised
to storm the white house, the pentagon, and the local armory at any given
moment—this is the album that would be playing incessantly throughout
their barracks. The Impossible Leap in One Hundred Simple Steps,
the sophomore effort by the San Francisco based trio From Monument to
Masses, is forty seven and a half minutes of tricky changes, unorthodox
time signatures (a tad derivative of Chicago's Volta Do Mar and Louisville's
Shipping News) combined with numerous samples of quotes from Arundhati
Roy, Noam Chompsky, and other intellectuals in the vanguard of leftist
discourse. The album begins with a sonic montage of television sound bites,
then erupts into a flurry of throaty vocals, choppy guitars, and high
hat-heavy drumming that meld into a soundtrack for the horror and confusion
Americans experienced as the symbols of US economic and military potency
are brazenly assailed. The highpoints of the album center around the plethora
of vocal samples used to highlight and critique the political idiosyncrasies
of contemporary American culture and to call for widespread resistance
against the tyranny of US foreign and domestic policy. This is an album
that everyone who calls him or herself a progressive should steal from
their local corporate chain music store.

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From Monument to Masses
Dim Mak, 2003
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From LiP Magazine [www.lipmagazine.org]
Media Dissidence & Uncivil Discourse Since 1996 |
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